Yes, the web and mobile apps are like TV shows (and magazines)

Over the weekend, the smart and successful VC Fred Wilson used the metaphor of TV shows vs. TV networks to suggest that investors (and the rest of us) sometime (often?) confuse the significance of various kinds of web-based startups.

Anyone who has used the internet for more than five years should immediately recognize what he’s suggesting. Some things we believe will define the future — that are so disruptive they will do away with institutions that have been in place for centuries — turn out to be I Love Lucy or MySpace.

If I were to debate this topic (and I’m not), my position would be this: In this metaphor TV is “the internet.” Everything else is a TV show.

In 2008, I wrote a post that applied the TV vs. TV show metaphor to magazines.  Magazines start, magazines die, was my point. Don’t confuse a magazine’s death with the death of magazines. (I have reposted it in full at the bottom of this page.)

It’s a part of a continuous theme of this blog: There is technology (or a communications medium) and there are things that one can do with that technology (or medium). When we start suggesting that a business model is the same as the technology that enables it, we head down a path of confusing TV shows with TV networks.

As Fred knows, there is lots of money to be made from investing in internet companies that seem like TV networks, but are merely TV shows. They can be massively successful as investments (again, as he has repeatedly demonstrated). But only time will tell us if Google, or Facebook, or Twitter are today’s I Love Lucy.

But come to think of it, TV as it was when I Love Lucy first aired, is hardly around anymore.

Here is what I wrote, in full, on that post dated November 2, 2008 and titled, “Magazines start, magazines die.”:

In this week’s Advertising Age, there is an article with the headline, “Will Print Survive the Next Five Years? ” And while the author of the piece provides either/or scenarios of how the current down-market will play out, the most graphic scenario (as the headline suggests) is a Print Apocalypse where advertisers leave magazines for the web, and never return.

I have a suggestion for the author of the article.

Get Advertising Age’s president and editor-in-chief Rance Crain to tell you the story of how Advertising Age got started. He’s told me the story — and I was spellbound.

Make sure you get the specifics of the dates, times and context of its creation. You will hear about a trade publication that was created a few months after the stock market crash of 1929. That’s right, after . You’ll hear about a trade publication startup whose formative years occurred during an economic Depression in which one-out-of-four Americans was unemployed.

It is a story of audacity and passion — and creative financing.

It is a story set in a time when economists and writers were suggesting capitalism itself could soon be dead. But despite that context and those fears, it’s a story about a man who started a publication about the ball-bearings of capitalism — advertising.

But yes, magazines do die

As much Kool-Ade as I drink and serve about social media and web marketing, I am less-and-less convinced by the death-of-print crowd. Again, listen: certain publications will die. I’ve pulled the plug on some, myself. No doubt, I will again in the future.

But I’m talking about the medium , not a specific magazine title — or even category.

You know how every season on network and cable TV, there are new shows premiered and other shows cancelled. Of course you know that. That’s because you’ve experienced it every year of your entire life. On TV, they even celebrate the new (without mentioning the death of the show it replaces). Just because series get cancelled, would you ever see an article suggesting network and cable TV are going to die in five years? Even if a network dies or — as they do — a cable network bombs, would you see an article suggesting the entire medium of TV is going to soon be dead? Heck, what will we do with all those flat screen TVs we’re buying if that happens?

As I have written on this blog continuously for the past eight years, the same thing happens with magazines. Magazines get started. Magazines die. It’s the whole circle of life thing. But for some reason, those who should know better confuse the closure of a magazine with the end of an entire medium.

As much as I personally do not include print newspapers in my life, even I don’t think they’re going to completely die. Become something else, yes. But die? As for magazines, I’ve said here for a long time, news weeklies and a great number of mass-marketed magazines will die — as they have done since the beginning of magazine time. And magazines like TV Guide (the listings part) will die. And trade publications that focus on breaking news and the transactions of their industry — like Advertising Age, for example — will find that the web is a better medium than print. Some day — and I think it will be a long time from now — Advertising Age may even be a web-based only product. But I’ll bet it won’t be in the next five years.

But even as those magazines die, new, tightly focused and well produced magazines will fill the vacuum created by the departure of such publications. Next season, there will be new titles on the newsstand — or sent to you by your association, employer, favorite cause, etc.

Don’t believe me?

The Advertising Age piece was inspired by lay-offs in the print media world last week. (Note to writer: There were layoffs in every industry last week.) But guess what? In the past few weeks, 52 new magazines have been started according to Samir Husni, Mr. Magazine. And that’s up from 36 starts during the same period last year.

Some won’t make it into their second year. Just like on TV.

Posted in facebook, internet, magazines, media, publishing, twitter | 2 Comments

Mixed-metaphor doodle: 800 lb. gorilla on the back of the elephant in the room

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Example of well-designed and very informative timeline

While working on an project for one of Hammock’s healthcare industry clients, I needed to refer to a timeline related to the implementation of different provisions of the healthcare reform plan. (And yes, I know the Supreme Court could decide to blow any such timeline up. )

With some luck, I ran across this Implementation Timeline on the, as always, information-rich website of the Kaiser Family Foundation. The ability to open and close sections of the page enables the user to drill-down into the information without having to click through page-after-page, or back and forth on intra-page links. If this had been on an ad-driven website, I would have had to click through 50 slides to get to the information I was seeking.

And, in an industry where providers and regulators and sponsors and payors all seem to be PDF-centric, this resource is a refreshing alternative for someone who is simply trying to see what year a provision is coming online — not read through a 30 page PDF.

Most important, it demonstrates how a well-conceived and implemented interactive design can work in a professional research context, not just as consumer web candy.

 

 

 

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Seems like only seven years ago, in blog time

It seems like only seven years ago (September, 2005, to be precise) when, in the wake of Hurricane Katrina and the journalism flowing from a hastily set up blog at NOLA.com, Jeff Jarvis and I were blogging about what a pity it was the Pulitzer Prize committee didn’t consider online-only content in awarding prizes.

I thought about that when I learned today, the Pulitzer Prize for national reporting was awarded to the Huffington Post and the Pulitzer Prize for editorial cartooning was awarded to Politico.

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Isn’t fumbling iPad opportunities the favorite pastime of magazine publishers?

From an article today, April 12, 2012, on the website, Digiday, titled, Magazines Fumble the iPad Opportunity:

“I don’t think there’s anything magazine-like out there that’s really resonating or working,” said Khoi Vinh, former design director for The New York Times. “Ultimately, the concept of a magazine feels like an uncomfortable fit for this platform. It shouldn’t be a packaged slate of content; it’s an awkward fit for a connected device that can be up to the minute.”

The 12 readers of RexBlog know that from the first nano-second I saw a bigco magazine company’s attempt at something for the iPad (two years ago, on April, 10, 2010, to be precise), I was underwhelmed by the attempt and very disappointed in the disconnect between what big-time magazine publishers think the iPad is — and how iPads are actually used by their owners.

For example, I wonder why designers replicate design conventions made necessary by the limited real estate of the printed page (columns, for example) onto a device that can scroll infinitely.

Even back in 2010, I thought Khoi Vinh had the credibility and clout to express the opinions I shared but that often sounded like a raging rant when I expressed them. So I have typically pointed towards him when this topic resurfaces. It never stops amazing me that consumer magazine companies just don’t get iPads. (Khoi and I even appeared together once on the “Why don’t magazine publishers understand the iPad?” circuit.)

I’ll admit, however. I no longer care about the topic of what giant magazine companies (or startups) think the iPad is for. The iPad is for whatever people want it to be. If those companies want to produce things that a niche group of users want, then go ahead. I won’t complain. But I do agree with Khoi: It’s not a very good use of an iPad.

As they continue to repeat the same (in my opinioin) mistake over and over, the big magazine companies don’t appear to even care to comprehend that the iPad is something other than an magazine reader. From their highest profile efforts, that seems to be what they think.

Replicating a magazine into a digital form — and adding things like flipping pages — is, I’m guessing, a magical feat to some people. But check out the paid and free apps on the iTunes Store and you’ll see how far down such magazine replication apps appear on what users of iPads purchase or download. (Hint: You have to go far, far down.)

However, there are lots of magazine-loving people (hey, I’m one) who use the iPad to read and to express ourselves and to interact with others. And there are some of us who use an iPad to read so much that we wonder why the page-flipping metaphor is even there when the iPad has an accelerometer that could make page advancement as easy as tilting the device.

There are so many ways publishers could utilize their content and niche expertise to create innovative apps and products for the iPad and Kindle Fire and Android platforms. It’s unfortunate the deepest pockets in the room have thrown so much money away on trying to please themselves instead of actually trying to understand what the iPad is and where the real opportunities are.

Sidenote: I do like one iPad version of a magazine, the New Yorker, for three reasons: 1. It arrives 48 hours before the print version. 2. I provides the option of viewing all the cartoons in a gallery. 3. It typically includes audio versions of the poets reading their poems. I’ll confess, I’ve never read the poems in the New Yorker. Hearing a poet perform his or her work is an entirely different experience. That’s what iPad versions of magazines should be about. Doing something you can do better than — or not at all — in print.

From the RexBlog archives:

A review of the worst iPad magazine app ever: Virgin’s Project

One of the longest-ever posts on this blog, an interview with a young photographer-designer, who created an iPad magazine, Letter to Jane, that actually utilized the platform in a way that recognized how readers read and viewers view. (Although I’ll confess, I’m not in the target audience of the publication.)

Posted in design, iPad, kindle, magazines, media, publishing | Leave a comment