Magazine lovers can look at this cover and understand why print will stick around for a few more decades, at least.
“Every once in a while, there’s a perfect storm to produce an image.”
New Yorker’s art editor in interview with the Washington Post
The March 6, 2017, New Yorker provides a great example of how the magazine uses the web to promote its print version. A few days before the print magazine is released, an image of the cover is released. Often, the image goes viral among the readership of the magazine–and those who don’t actually read it, but love to drop references to the magazine at cocktail parties.
More importantly, it’s an example of how a contemporary magazine–some would argue, the best contemporary magazine–can pay homage to its heritage (the 1925 cover on the left is iconic) in a way that readers understand, but non-readers won’t get–an “insider” effect. (The cover for next week’s magazine is explained in the Washington Post today.)
Most importantly, the cover breaks every rule in the “top ten reasons to buy this magazine” cover design book so effectively that “having” the magazine is more important to “reading” the magazine to a big percentage of its subscribers. And that’s more than okay with me.
Magazine lovers can look at this cover and comprehend why print magazines that matter to their readers — their collectors and lovers — will be around for a few more decades, at least.
Update: Another story about the cover via MediaPost.com
Flashback: I wrote a similar post nine years ago.